The revelation was made through the castles.
Through the studies of the past
the future had changed.
And what seemed utopian, had occurred.
Someone had created a code.
And he had used chess to do so.
That’s how he had transferred knowledge through the eons.
His chessboard however, was not classical.
He had enriched it with battering schemes.
Then he thought of Mandelbrot’s abstract model.
So then he decided to create
another model.
Apart from the Byzantine one,
he also used the Castric one.
He had placed the past and the future together.
That’s how he constructed
the Castric chessboard SER.
And on it,
he placed the legend of Digenis Akritas
in order to compose the epic.
Two aspects for one structure.
Two chessboards for a superstructure.
Digenis constituted a necessary combination.
The center was at the edges.
Over the edges, he built cognitive castles.
It was the result of lateral thinking.
The center was not necessarily the focus point.
Its protection was not occurring from the same space.
This allowed the durability
to become enhanced over time.
Byzantium was not only life, but also spirit.
It was like a seven soul fighter.
It showed them the foundational elements of soul offering.
Then they understood the ingenuity
of Time architecture.
and they saw the strategy of history.
The icon reminded of an hagiography.
Only that, the composition was not classical.
It had many persons operating
like a castric network.
The branching had begun.
Time had changed.
But they were still here
past the labyrinth of thoughts.
So they saw that their mission
was to hold on to the thread
without it being lost through the eons,
together they became seven
for the sake of continuity.